CARVE #6
In my hands. Great cover Wendy! This lineup could match up with the '75 Reds or maybe the '86-'87 Lakers is more appropriate numbers-wise.
In my hands. Great cover Wendy! This lineup could match up with the '75 Reds or maybe the '86-'87 Lakers is more appropriate numbers-wise.
See above.
Magic Hour.
Joseph Massey's review of Olde English is reminiscent of Paul Beatty's guide to malt liquors, but goes further in rendering the particular qualities which distinguish English. Dogfish Head has a Liquor de Malt that I haven't tasted yet. It looks interesting, but the hand stamped brown paper bag sounds a little precious.
Fits of Dawn is keeping me on my toes, stunning, this came out in 1965.!? Here's a sample online. Will post an excerpt soon. Has anyone else heard the rumor that Adventures in Poetry is going to republish this? They should. Someone should.
Was just asked if I was ever a drill sergeant. Christ! That's a world worse than Tony being told he looks like a cop. The worst thing is, the guy meant it as a compliment.
The latest:
all this from here
Eric Dolphy Quintet featuring Freddie Hubbard
Love.
Oliver Nelson Orchestra
There is no
quiet
in this kiss
that won’t
question stagnates
inconsequence teases
ice floes
luminous
blue -black
water drop
from a gutter drips
what’s expected
leaves
an unaccustomed
place for walls
abject
should we then…
what gets
repeated:
bittersweet
Los Angeles or Wild Gift?
Tiger lillies
summer green
road sweat stained
an anniversary passed
where to
where from
where now you
asleep beside
a carved grief
of flesh to coiled
question mark from throat
a high hat metric
time bomb in
my chest electric to
finger tips a glyph if
accurate
X. When I need my ass kicked this is the album always up to the task. Not a false note from start to finish. Luckily I've got an original with lyrics on the sleeve.
You all know more than you should, but I think I'm ok with that.
Pavement.
The thunder is dirty,
the lightning my sister.
Two voices from the
same source.
But I won't allow
myself to think of nature.
It's too appealing,
too full of mysteries
that take my heart away
from this ugly laceration.
But somehow
even that is gone
and all that's left
is rain.
Beatles.
Roland Kirk, pre-Rahsaan. Very nice, carries the two horn from Kirk in Copanhagen to something again. You're own personal brass section, "The Creole Love Call" in one set of lungs. Just shy of the self concious tongue-in-cheek Kirk of some later albums, that I personally like.
I want to post some excerpts, but I can't get the post to hold the spacing I type in. Tell me how o wise bloggers. Thanks, greatly appreciated.
Sebadoh. If I weren't so in love with Bake Sale, this album would knock me out, instead it staggers me around the ring. On Fire is beautiful, "...but I'm responsible anyway for second or third hand information that complicates the complication." Other nuggests too.
In a stunning turn of events, the last lending library in Illinois has decided to send me a copy of this via ILL. A hearty Marv Albert, yes!
Just arrived via Interlibrary Loan. The photo of Ceravolo on the back cover is pretty funny, looks like something from Honcho. In case you are wondering, I'm not a Honcho subsriber. Amherst College, where I used to work, suprisingly enough had a vast archive of these types of publications at its offsite storage. I look forward to reading this tonight, expect excerpts. Of JC, I've only read: The Green Lake is Awake, Transmigration Solo, and Spring in This World of Poor Mutts. I tried requesting the others, but no libraries would lend these items. If you have copies of any of these and want to unload or loan them (I'm very careful and conscientious), please contact me. I know that is highly unlikely but I say it anyway.
Ochs couldn't be more appropriate. Not only topical, two lyrical gems: "Iron Lady" and Noyes' "The Highwayman". Often neglected is Ochs guitar work. What a voice. His "Here's to the State of Missippi" later performed as, "Here's to the State of Richard Nixon"!
Guided By Voices-7"
Glad to see that Carl Annuramo is not just the mythical figure I had begun to believe he might be. Instead he's that and an incredibly nice guy, funny how that oftens happens with good poets/people. He is talking about making Pettycoat print and has a chapbook of five line poems forthcoming, keep your eyes peeled. And speaking of print, the run of In(ex)teriors/Ex(in)teriors is finished and flying out the door, so if you want one contact Chris Rizzo or myself and say so, otherwise you'll go without. If for nothing less, you should seek this out because it is an excellent example of Anchorite Press. Not enough time ever for hanging out with the many hats of Michael Carr: collagist, publisher, poet, stand up guy. He has a forthcoming book from Mark Lamoureux , all those film poems, that's the one. Chris also handed off a beautiful Pressed Wafer George Stanley broadside, gorgeous and a framed Aaron Tieger designed broadside from our Soon Productions reading. If you haven't seen any of Aaron's broadsides you should pester him for some, they are relatively cheap and speak to his keen reading eye.
Lee Morgan. A top three trumpet player for me. I'm sure he would be flattered to read that. Listen to this line up: Morgan on trumpet, Jackie McLean-alto, Hank Mobley-tenor, Herbie Hancock-piano, Larry Ridley-bass, Billy Higgins-drums. ! I know Miles said that Mobley played behind the beat, but he deserves better than that. Higgins plays his ass off. Jackie McLean is exception as well. Hits the ground running and never stops, a hard bop essential.
These are two of my favorites musicians in no small part due to their distinct sound. Monk is one of a kind, that's a given, but Mulligan's baritone sound is instantly recongizable as well. An album pairing the two of them is naturally going to play to my enthusiasms. Wilbur Ware (bass) and Shadow Wilson (drums), who Monk was currently working with at the Five Spot (from LP notes) fill out the ensemble. Rhythm-a-ning is a favorite from this album.
Recently realized how little I've been listening to music. And that the majority of this listening has been in the car, so it isn't necessarily attentive listening. This lull and pace is fairly typical of life cycles (for me at least), but in an effort to revitalize my listening I've decided to write about my LP collection in order to reaquaint myself with my records and the enthusiasms I have for many of these albums.
"I have never avoided the influence of others, I would have considered this a cowardice and a lack of sincerity toward myself. I believe that the personality of the artist develops and asserts itself through the struggles it has to go through when pitted against other personalities. If the fight is fatal and the personality succumbs, it means that this was bound to be its fate."
Baffling Combustions #3
From Jonathan concerning In(ex)teriors/Ex(in)teriors. Read down a bit, I lack the skills to land you right there, besides you should read all his posts anyway. Words which are very welcome after a long, emotional weekend.